Born 1964, Illinois


M.A., Critical and Creative Thinking, 2016, University of Massachusetts Boston

Graduate Study, 1998, International Seminar Program on Arts Administration, Steinhardt School of Education, New York University

German Language Study, 1998, Goethe Institut, Munich, Germany

B.A., Print Journalism, 1995, Georgia State University



2010    See Through City, Cases Gallery, School of Constructed Environments, Parsons The New

             School  for Design, New York, NY

2006    See Through City, The Roger Smith Lab Gallery, New York, NY

2005    See Through City, Yellow Bird: The Gallery, Newburgh, NY

2001    See Through City, Thai Café, Brooklyn, NY

2000    Reflections, Gallery thirty.thirty.three, Atlanta, GA


2002    Jill Corson/Russ Flatt, Sideshow Gallery, Brooklyn, NY

2001    Reading Faces, The Zebu Center of Raymond Lawrence Gallery, Atlanta, GA


2012    Gramercy Neighborhood Associates Art Exhibition, National Arts Club, New York, NY

2009    Brooklyn Utopias? Brooklyn Historical Society, Brooklyn, NY

2007    Working Artists: The New School Employee Art Exhibition, Parsons The New School for

             Design, New York, NY

             Fresh Art, Karin Sanders Fine Art, Sag Harbor, NY

2006    Art Miami, Yellow Bird Gallery Booth, Miami, FL

2005    AAF Contemporary Art Fair, Yellow Bird Gallery Booth, New York, NY

             Photo L.A., Meter Gallery Booth, Los Angeles, CA

2004    Merry Peace, Sideshow Gallery, Brooklyn, NY

             Co-Producer, Lution in Motion, DUMBO Art Under the Bridge Festival, Brooklyn, NY

             Women, Sideshow Gallery, Brooklyn, NY

 2003    Merry Peace, Sideshow Gallery, Brooklyn, NY

 2002    The Atlanta/New York Connection, curated by Marianne Lambert, Swan Coach House

              Gallery, Atlanta, GA           

 2001    21st Suffragettes: Art + Performance by Women, Sideshow Gallery, Brooklyn, NY

              speed. life in an accelerated culture, curated by Jerry Cullum and Charles H.

              Nelson, Jr., Fine Art Gallery, Georgia Perimeter College, Clarkston, GA

 2000   Transcendent Moments, Raymond Lawrence Gallery, Atlanta, GA

              Voyeurism, curated by Amy Parry, Eyedrum, Atlanta, GA

             The House Form: A Universal Symbol, Target Gallery, Torpedo Factory Art Center,

             Alexandria, VA

             Cambridge Art Association National Prize Show, Carl Belz, juror, Lowell Street Gallery,

             Cambridge, MA

             Articulations of Artistic Vision, Raymond Lawrence Gallery, Atlanta, GA

 1999   Signs of Life, Atlanta Photography Group Gallery, Atlanta, GA

             Verde, Verdi O House Atlanta, GA

             North Fulton Regional Juried Art Exhibition, Roswell Cultural Arts Center, Roswell, GA


Schorr, Sarah, Borrowed Glitter, (New York: Yancey Richardson Gallery, 2007) exhibition catalogue, w/repro.

Subject of Borrowed Glitter, exhibition of photographs by Sarah Schorr, Yancey Richardson Gallery, New York, 2007

Landes, Jennifer, “Sex and the Spiritual at Karin Sanders,” East Hampton Star, June 14, 2007,p. 20.

Baum, Joan, “In the Gallery,” The Independent, June 6, 2007, p. 14.

Corson, Jill, See Through City, (New York:, 2005) exhibition catalogue, w/repro.

Loupiac, Claude, La Ville: Entre Reprèsentations et Rèalitès, (Paris: SCÉRÉN/CNDP Press, 2005) pp. 233-234 w/repro.

Subject of Starlets, exhibition of photographs by Sarah Schorr, Scalo Project Space, New York, 2004

Cullum, Jerry. “It’s Up to You, New York, New York,” The Atlanta Constitution, March 29, 2002, p. Q6 w/repro.

Byrd, Cathy. “Reviews: Southeast – Atlanta,” Art Papers, March/April, 2001, p. 37 w/repro.

Byrd, Cathy. “Go Man Go,” Creative Loafing, Jan. 27, 2001.

speed. life in an accelerated culture, (Atlanta: Georgia Perimeter College, 2001) exhibition catalogue, w/repro.

Cullum, Jerry. “Finding Magic in the Everyday,” The Atlanta Constitution, Oct. 27, 2000, p. Q8 w/repro.

Cullum, Jerry. “It’s a New Way to Like Looking in ‘Voyeurism,’” The Atlanta Constitution, June 23, 2000, p. Q8 w/repro.

Byrd, Cathy. “Fractured Images: Reflections Captures Crazy Quilt of City Life,” Creative Loafing,” April 1, 2000, p. 37 w/repro.



2 Horatio Street

New York, New York